Foucault News

News and resources on French thinker Michel Foucault (1926-1984)

History and Contemporary Literature, Synthesis ejournal Vol. 5 (2012)

Special issue: Call for papers
Deadlines:

1 December 2010 submission of abstracts
1 February 2011 notification of acceptance
1 October 2011 submission of articles

History and Contemporary Literature

Christine Harrison and Angeliki Spiropoulou (issue editors)

The ‘turn to history’, witnessed in both literary studies and literature since the 1980s, has ensued in part from new developments in the theory of history itself, which have stressed the relevance of literature for history and the affinity of historiography with fictional narration, long suppressed by historiography’s traditional empirical status and positivist claim to truth (c.f. the groundbreaking work of Hayden White and Paul Ricoeur, as well as that of Michel Foucault, Stephen Greenblatt and Dominick LaCapra, for example). The turn to history has, inversely, also derived from an acknowledgement of the need to take into account the historicity of the historiographical, literary and critical acts. Fredric Jameson, for example, contributed to the elaboration of a sophisticated notion of historicity in the field of literary studies in the early 80s, and at much the same time there also appeared ‘new historicist’ and ‘cultural materialist’ trends, inspired by diverse history-based theoretical paradigms.

Simultaneously, and related to the above developments, there has emerged a trend within literature itself of evoking historical epochs, personages and texts of the past, culminating in what Linda Hutcheon has called with reference to fiction ‘historiographical metafiction’, namely a set of texts which exhibits a concern with the historical past and with issues of historiography while retaining an acute language consciousness and a leaning to formal experimentation. Even more recently, over the past decade, both historicist models of criticism and established theorizations of new historical literature have been challenged for some of their presumptions. However, historical literature, and especially fiction, continues to dominate the literary production of the twenty-first century in forms and for reasons that need exploring as they may point to yet newer directions in both literature and the conceptualization of the relationship between history and literature.

We invite contributions that engage with the modes in which contemporary fiction, poetry and drama address, employ and revise history and historiographical practices, and/or discuss new critical trends and theoretical approaches to literature and history. Possible topics include, but are not restricted to:

• New trends and subjects of historiographical representation in contemporary poetry, fiction, drama (e.g., gender and topographical approaches; interrogations of particular historical periods, methodologies and mythologies; challenges to divides between the literary/popular and private/public; contemporary historical literature and realism, modernism, postmodernism)
• Revisions of literary history, the literary canon and traditional literary genres
(e.g., the historical novel, historical drama, gothic romance)
• New directions in historical literature and critical approaches since 2000
• National/regional contemporary historical literature
• Re-writings of colonial history and the history of the European periphery (Balkan, Mediterranean) through literature
• Memory, auto/biography, visual material and contemporary literature
• Historical fantasies and utopias of the future
• The past-present dialogue in contemporary theory and literature
• New challenges to recent historicist models and critical taxonomies of contemporary historical literature

Detailed proposals (800-1,000 words) for articles of 6,000- 7,000 words, a short bio (up to 300 words) as well as all inquiries regarding this issue, should be sent to both guest editors: Christine Harrison at and Angeliki Spiropoulou. For their details please contact:

Mata Dimakopoulou
Faculty of English Studies
University of Athens, Greece
Email: sdimakop@enl.uoa.gr

Seminar: Samuel Beckett and the Encounter of Philosophy and Literature
Call for Papers Deadline: 2010-09-30

Conference Date: April 7-10, 2011
Conference Venue: Hyatt New Brunswick, New Brunswick, New Jersey, USA

Deadline for Abstract Submission: Sept. 30, 2010
(300-500 words)

Notification of acceptance of papers by 5th of October, 2010.

Deadline for Final Paper Submission: March 15, 2011

Length of Full Papers: 4000-5000 words

The seminar seeks to explore the complex and paradoxical relationship between the discourses of philosophy and literature focusing on the works of Samuel Beckett. Beckett has had a long standing dialogue with philosophy. From comments like ‘I am not a philosopher’ and ‘I do not understand philosophy’ to his love of Democritus, Arnold Geulincx and Arthur Schopenhauer, from a rich texture of philosophical allusions in early works like Murphy to a more resistant non-allusive (or allusive in a very subterranean way) later prose like Worstward Ho, Beckett’s work has always been seen in relation to philosophy, from championing a certain kind of Cartesianism to reviving the latent philosophical discourses of the Atomists, from positing existentialism to parodying it and so on.

In the 20th century, Beckett’s oeuvre has attracted a handsome amount of philosophical attention with almost all major philosophers responding to his work in vastly different ways. From early readings of Georges Bataille and Maurice Blanchot to the responses of the poststructuralists like Derrida, Deleuze, Foucault, reactions from Adorno, Stanley Cavell, Julia Kristeva, Irigaray, Martha Nussbaum and in more recent times perhaps in the most extensive fashion in the writings of Alain Badiou, Simon Critchley and a host of others, Beckett has commanded a rigorous attention of the philosophers. They have sometimes cited Beckett by way of exemplifying their own philosophical conceptualization and problematization while on other occasions they have seen his work as a genuine philosophical repository, generating issues and debates, intrinsic to the discipline of philosophy.

Eminent Beckett Scholars like Ruby Cohn, Stanley Gontarski, Anthony Uhlmann, Garin Dowd and others have been sensitive to what we can call a ‘philosophical turn’ in the field known as Beckett Studies. Apart from dealing with the philosopher’s influence on Beckett from a biographical point of view and Beckett’s influence on 20th century philosophy, the seminar also encourages papers that see Beckett’s work as a topos where different and often contesting ways of conceiving the philosophy-literature interface meet each other. Beckett’s interest in classical philosophy and the supposed representational relation between philosophy and literature is on the one hand while on the other is the poststructuralist and postmodernist appropriation of his canon which tends to locate his body of work at the margin of philosophical thought. Samuel Beckett thus remains the fascinating literary icon that he is with Derrida defining an auto-deconstructive margin of philosophy in literature with Beckett and Badiou drawing on Beckett as an original philosophical thinker, who is instrumental in his discourse of a return to philosophy.

All enquiries and abstracts are to be directly sent to:

Arka Chattopadhyay
M.Phil Scholar
Department of English
Jadavpur University, Kolkata, India

Address:
Krishna, Flat-105
75, J.K. Street
Uttarpara, Hooghly
Pin-712258
Ph: 033-2663-8270
91-9231536815
Mail: arkaless@gmail.com
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Conscripted Subjects: Disciplined Society, Critique, and the Humanities. Graduate Student Conference,
Department of Comparative Literature,
UCLA, USA
February 23-25, 2011

Submission deadline: October 15, 2010.

In light of our current moment marked by economic collapse, heightened political paranoia, racial profiling, and ubiquitous surveillance, this conference wishes to highlight the connection between states of crisis and the wider social question of the prison as a space of social production. “Discipline” as such does not simply imply policies that police subjects, but rather policies that produce them — not just in “correctional facilities”, but also in the discourses and practices appropriated by universities, workplaces, hospitals, and bureaucracies. In this regard, we seek to question the normalization of the prison as a model for social relations between classes, sexes, races, and other subjectivities. The humanities have long been a central site for the critique of such disciplinary modes of social relations. While Foucault’s notion of “disciplinary society” has in many ways enabled this line of social critique, scholars of the humanities have since expanded it beyond its native terrain of eighteenth and nineteenth century Europe, to encompass a wide array of historical moments and geographic terrains. We therefore invite papers from all disciplines that engage with the means through which modern ―subjects‖ have been organized, taxonomized and controlled.

Possible topics include:

– Institutionalized discipline and subject formation – schools, hospitals, government.

– Literary forms and disciplinary textual practices – forms, genres, disciplinary boundaries.

– Critical responses to the disciplinary society – discourses of critique, crisis, and secular criticism.

– Secularism – the relationship between the private/public and the sacred/profane.

– Urban design, architecture, and the disciplined organization of space, place, and mobility.

– Empire, nationalism, “terrorism,” and territorial occupation.

– Visibility and subject recognition in postcolonial societies – the visibility of policed subjects vs. the invisibility of subaltern/abject subjects.

– Crime and mobility – criminality as the transgression of physical, social, and ethical boundaries.

– Police and surveillance (“Identity Cards”, CCTV, legal & illegal migration).

– Prison spaces, punitive practices, and the “Prison-Industrial Complex.”

– Psychoanalysis and discipline – the normal and the pathological.

– Racialized discipline and the generation of “minorities.”

– Anti-disciplinary figures – the stateless (exile, refugee, nomad), the non-human (monsters, vampires, the trans-human), and the otherworldly (aliens, ghosts, the prophetic).

– Disciplinary practices and docile bodies – heteronormativity and gender forms.

– “Biopower”, “Governmentality”, and Continental Philosophy.

– Popular culture and the disciplined body (“boot camps,” extreme body modification).

Abstracts should be between 250-350 words. All examples and quotations must be translated into English. Unaffiliated scholars are welcome.

Submissions in English (in doc. format) should be sent to the following address: uclagradconf@gmail.com

There is no participation fee, and refreshments and a light lunch will be provided. Travel and accommodation is at the participants’ expense. Local hotels in the area will be offering conference rates.

Sina Rahmani
University of California, Los Angeles
Department of Comparative Literature
345 Humanities Building
Email: uclagradconf@gmail.com

Call for Papers:
Cinema and the State-Tortured Body

Call for Abstracts
Due Date: 2010-10-01

Drawing from Foucault’s notion of the ‘political technology of the body’ and ‘the spectacle of the scaffold’, the collection looks to explore the Sovereign’s power and control over the body through the cinema’s arguable co-option of the state’s political-military-corporate aims and goals.

Possible topics include, but not limited to: politicised cinema; body as socially constructed by corporate/military factions; political ramifications of torture; body under stress from state-sanctioned torture; hegemony, grotesque image of the body, state/corporate/military notions of identity and space, political technology of state punishment; Grosz’s notion of ‘re-inscribing the body’ as a means to challenge the Sovereign’s control and construction of gender.

Film examples: L’aveu, Interrogation, The Road to Guantanamo, Le Petit Soldat, The Battle for Haditha, Hunger, Rendition, Punishment Park, JFK, The Manchurian Candidate, Executive Action, Winter Kills, Standing Operating Procedure, Taxi to the Dark Side, Z, I Saw Ben Barka Get Killed, The Official Story, State of Siege, The Hurt Locker, Salo, Death and the Maiden.

Will also consider any topics related to the subject matter.
Please contact
Mark de Valk
Southampton Solent University
East Park Terrace, Southampton, UK
SO14 0YN
Email: mark.de.valk@solent.ac.uk

Foucault Studies is pleased to announce the publication of issue 9 including a “state of the disciplines“ review on Foucault and postcolonial studies.

Included
* 5 original articles about money, heterotopias, alimentary identities, animal ethics and the emotional content of governmentality processes
* a review essay of Ladelle McWorter’s Racisism and Sexual Oppression in Anglo-America
* a discussion of Foucault’s Kantian Lineage

* 10 new book reviews

Foucault Studies is an electronic, open access, peer reviewed, international journal that provides a forum for scholarship engaging the intellectual legacy of Michel Foucault, interpreted in the broadest possible terms. We welcome submissions ranging from theoretical explications of Foucault’s work and texts to interdisciplinary engagements across various fields, to empirical studies of contemporary phenomena using Foucaultian.

All articles are freely available as open access on the website:

Please visit this website to sign up for E-alerts to receive news of CFPs and new issues.

Number 9, September 2010:
Table of Contents:

Editorial
Sverre Raffnsøe, Alan Rosenberg, Alain Beaulieu, Sam Binkley, Jens Erik Kristensen, Sven Opitz, Chloë Taylor; with Ditte Holm
______________________________________________________

Articles

At the Intersection of Sovereignty and Biopolitics: The Di-Polaric Spatializations of Money
Tero Auvinen

The Emotional Life of Governmental Power
Elaine Campbell

Foucault, Borges, Heterotopia: Producing Knowledge in Other Spaces
Robert J. Topinka

Foucault and the Ethics of Eating
Chloë Taylor

Apparatuses of Animality
Stephen Thierman
___________________________________________________

State of the Disciplines

Postcolonial Discourse and Foucault: Survey of a Field of Problematization
Robert Nichols
_________________________________________________________

Exchange

Transcendental Philosophy and Critical Philosophy in Kant and Foucault: Response to Colin Koopman
Colin McQuillan

Appropriation and Permission in the History of Philosophy: Response to McQuillan
Colin Koopman
___________________________________________________________

Review Essay

Ladelle McWhorter, Racism and Sexual Oppression in Anglo-America: A Genealogy (Indiana: Indiana U. Press, 2009)
Chloë Taylor, Robert Nichols

____________________________________________________________

Reviews

Paul Veyne, Foucault: sa pensée, sa personne (Paris: Éditions Albin Michel, 2008)
Alan Milchman

Ed Cohen, A Body Worth Defending: Immunity, Biopolitics and the Apotheosis of the Modern Body (North Carolina : Duke University Press, 2009)
Elliot A. Jarbe

Vanessa Lemm, Nietzsche’s Animal Philosophy: Culture, Politics and the Animality of the Human Being (New York: Fordham University Press, 2009)
Mike McConnell

Joseph Tanke, Foucault’s Philosophy of Art: A Genealogy of Modernity (New York: Continuum, 2009)
Dag Petersson

Carlos G. Prado (ed.), Foucault’s Legacy (New York/London: Continuum, 2009)
Darryl De Marzio

Lynne Huffer, Mad for Foucault: Rethinking the Foundations of Queer Theory (New York: Columbia University Press, 2009)
Christopher Roman

David Gelernter, Judaism: A Way of Being (Connecticut: Yale University Press, 2009)
David Kaden

John Sellars, The Art of Living: the Stoics on the Nature and Function of Philosophy (London: Bristol Classical Press, 2009)
Antonio Donato

Daniel O’Hara, The Art of Reading as a Way of Life: on Nietzsche’s Truth (Evanston, Ill.: Northwestern University Press, 2009)
Charles Villet

Mari Ruti, Reinventing the Soul: Posthumanist Theory and Psychic Life (New York: The Other Press, 2006)
Marcus Schulzke

Introduction to Post-structuralism – Essay Collection

Call for Papers Deadline: 2010-10-01

This is a call for papers for an essay collection to be entitled “Introduction to Post-structuralism.” The essay collection will consist of pedagogical, explanatory descriptions of post-structuralism to be used as references or classroom textbooks. The goal of this collection is to provide clear(er) understandings of these theorists and their works in order to further integrate them in and outside of the classroom. Submissions will need to be written for the undergraduate level of reading.

We are seeking 4 different types of submissions.

(1) Essays describing a post-structuralist from a general overview, encountering both their biographical information and academic work. Minimum word count: 7000 words.

(2) Essays describing a piece of work from a post-structuralist. Example: “Michel Foucault’s ‘History of Sexuality Vol. 1-3′”. Minimum word count: 7000 words.

(3) Essays describing post-structuralism as a field or arena of thought (along with respective qualities, foundations and other characteristics of post-structuralism), in comparison or contrast to structuralism and other modern and contemporary fields of thought. Minimum word count: 4000 words.

(4) The future, (d)evolution and (in)significance of post-structuralist thought in the future. Minimum word count: 4000 words.

The post-structuralists we would like to propose for submissions types (1) & (2) are listed below:

Kathy Acker
Giogrio Agamben
Jean Baudrillard
Judith Butler
Helene Cixous
Gilles Deleuze
Felix Guattari
Umberto Eco
John Fiske
Rene Girard
Luce Irigaray
Fredric Jameson
Sarah Kofman
Philippe Lacoue-Labarthe
Jean-François Lyotard
Jean-Luc Nancy
Bernard Stiegler
Gianni Vattimo
Michael Hardt
Antonio Negri

This essay collection will be published as a book in late 2011. Hypothetically and ideally, the book will be arranged in the following order: essay types (3) then (1) then (2) then (4). *Submissions of all types and of most post-structuralists will be needed in order to produce this publication, therefore I urge you to spread this CFP in your respective circles and circuits*.

Final versions of submissions are due no later than October 1, 2010. If you are interested in submitting, please let us know by emailing us by the following guidelines:

For submission type (1): (a) submission type, (b) post-structuralist of study, (c) full contact information

For submission type (2): (a) submission type, (b) post-structuralist of study, (c) work(s) of study, (d) full contact information

For submission type (3): (a) submission type, (b, optional/if needed) contrast/comparison to other field(s), (c) full contact information

For submission type (4): (a) submission type, (b) abstract, (c) full contact information

Submission guidelines: Please use normal margins, Times New Roman, 12 pt, black, with citations and bibliography following the most recent edition of MLA. Contributions will be made via email; no paper submissions. Must be original work and not published elsewhere.

It is our hope that all types of submissions will be more than covered by contributors and that this publication will serve as a high-quality reference and introduction to students who are willing to learn about post-structuralism.

Send submissions to:
Remington Robertson
Independent Researcher
PO BOX 1100
GLEN ROSE, TX 76043
(254) 396-0226
Email: remington.robertson@gmail.com

Social Identities. Journal for the Study of Race, Nation and Culture , Volume 16 Issue 5 2010
Special issue: Foucault 25 years on

Contents

For cutting: an introduction to Foucault, 25 years on
Ian Goodwin-Smith

Resisting Foucault: the necessity of appropriation
Ian Goodwin-Smith

Post-structuralism’s colonial roots: Michel Foucault
Pal Ahluwalia

The huntsman’s funeral: targeting the sensorium
Ryan Bishop

The post-panoptic society? Reassessing Foucault in surveillance studies
Gilbert Caluya

The paradoxical after-life of colonial governmentality
Michael Dutton

What is an anti-humanist human right?
Ben Golder

Liberalism: rationality of government and vision of history
Barry Hindess

The author, agency and suicide
Katrina Jaworski

A (con)fusion of discourses? Against the governancing of Foucault
Jim Jose

‘The History Of Sexuality Volume One By Michel Foucault: An Opera’, 2010, Premiere
Gregg Bordowitz (USA) / Paul Chan (J/USA) 01./ 02.10.10
Fri 1 Oct / Sat 2 Oct., 8.30 pm in TQW / Halle G
Tickets: € 18,- (Reductions and Online-Ticketing on http://www.tqw.at)

Gregg Bordowitz talks about his opera version of The History of Sexuality, Artforum, October 1, 2010.

The History of Sexuality Volume One by Michel Foucault: An Opera’ is a work-in-progress adopting the dramatic musical form to stage the major themes and philosophical insights of one of the most influential philosophers of the late twentieth century. In this adaption of Foucault´s great work, the philosopher will encounter one student, two rivals, and a sworn enemy – perhaps all of them are ghosts. Nothing less than a grand opera is required to stage the epochal theory of self-emancipation that is Michel Foucault´s unique legacy. The performance will be set against a backdrop drawn from Foucault´s biographical details; including his activism on behalf of prisoners´ rights, and his death from AIDS.

CONCEPT: Gregg Bordowitz, Paul Chan, DIRECTION & & LIBRETTO: Gregg Bordowitz, PERFORMERS: Siegmar Aigner, Alexander Braunsöhr, Didi Bruckmayr, Mara Mattuschka, Moravia Naranjo, ORIGINAL COSTUME DESIGNES: Paul Chan, COSTUME DESIGNER: Kristine Woods, PRODUCTION: Tanzquartier Wien in cooperation with MUMOK. In the framework of Push and Pull – a joint project by Tanzquartier Wien and MUMOK.

Stuart Elden has posted a quick summary and comments on the forthcoming translation of Foucault’s 1984 lectures The Courage of Truth on his Progressive Geographies blog.

The Portail Michel Foucault has just listed a number of seminars and conferences on Foucault taking place from September onwards in France.

Et si Foucault n’avait pas tort?
16/09/10 – 06/01/11

Foucault et le droit
22/09/10 – 01/12/10

Le philosophe et les livres
29/09/10 – 01/10/10

Foucault-Nietzsche : nouveaux regards
07/10/10