Foucault News

News and resources on French thinker Michel Foucault (1926-1984)

Colloque international Néolibéralismes, néofascismes, néo-populismes. Spectres de Foucault (Paris)
All details at this link

Du 10 Décembre 2025 au 12 Décembre 2025

Comprendre pourquoi Michel Foucault fait retour inévitablement dans les généalogies contemporaines des néolibéralismes, c’est s’employer à ressaisir la pertinence du diagnostic du présent qui fut la sienne en 1979 lorsqu’il diagnostiqua le sens et la portée de l’émergence du néolibéralisme au regard de ce qui nous arrive aujourd’hui. Qu’y-a-t-il de nouveau dans le moment néolibéral présent ? En proposant, en 1979, dans le cours professé au Collège de France, Naissance de la biopolitique, une analyse de la « rationalité néolibérale » et de la phobie d’État interprétée depuis les deux grands moments historiques de l’ordolibéralisme allemand et du néolibéralisme américain, Foucault a cherché à ressaisir un changement de paradigme anthropologique majeur avec la venue de « l’homo oeconomicus » intégral désormais pensé, depuis une théorie du capital humain, comme « entrepreneur de lui-même ». Ce qu’il veut articuler pour en dévoiler la genèse ? La concurrence économique et l’interventionnisme juridique au service d’une nouvelle technologie de gouvernement de la vie humaine selon un programme d’extension sans précédent des normes économiques. Revenant sur le néolibéralisme américain dans son résumé du Cours, il souligne en quel sens « ce néolibéralisme cherche plutôt à étendre la rationalité du marché, les schèmes d’analyse qu’elle propose et les critères de décision qu’elle suggère à des domaines non exclusivement ou non premièrement économiques »[1]. Ce qui est alors analysé par Foucault ? La distinction entre libéralisme et néolibéralismes, les limites entre interventionnisme et non interventionnisme, la fin du social en tant que tel, l’anti-étatisme, la théorie du capital humain.

En quel sens notre « aujourd’hui » est-il différent de l’analyse critique portée par Foucault? Ce colloque n’arrive pas dans n’importe quel contexte. Il survient dans un moment néolibéral qui est caractérisé, d’une part, par les liaisons du néolibéralisme, du néofascisme et du néo-populisme et, d’autre part, par le développement sans précédent d’une surpopulation de précaires. Il est significatif que le projet néolibéral soit redimensionné par les attendus de la souveraineté autoritaire d’une part, la crise de la démocratie d’autre part et les nouvelles technologies de l’intelligence artificielle enfin. Il est tout autant significatif que cette mobilisation économique s’établisse au moyen de l’expulsion dont le corollaire est l’exclusion[2]. Que ce soit aux États-Unis, en Argentine, en Italie, en France, au Chili, les prémisses néolibérales cohabitent avec le culte du chef et l’extension de populaires surnuméraires.

Dans cette perspective, la question de savoir à quel néolibéralisme nous avons affaire se pose avec plus d’acuité que jamais, tout autant que l’interrogation sur la pertinence des outils théoriques de Foucault pour relever le défi d’analyse.

Plusieurs questions guideront dès lors ce colloque international. Comment interpréter les liaisons dangereuses du néolibéralisme et du néofascisme ? En quel sens la boîte à outils de Foucault peut s’avérer utile dans un contexte de haute précarité induite par l’extrémisme de la rationalité marchande ? Quelle tâche revient à l’intellectuel critique face au néolibéralisme ? Quel sens et quelle pertinence revêtent les luttes nécessaires contre le néolibéralisme ? Peut-on se risquer à une analyse de notre présent en termes de fascisme ? En quel sens les analyses historiques de la montée du fascisme en Italie permettent-elles d’établir ou non ce diagnostic ?

[1] Naissance de la biopolitique, Paris, Gallimard/Seuil, 2004, p. 329.
[2] Cf. Saskia Sassen, Expulsions. Brutalité et complexité dans l’économie globale, Paris, Gallimard, 2016.

Bala, M., Singh, S.
When elephants fight back: Animal standpoint reading of Nirmal Ghosh’s Novella River Storm (2024) Short Fiction in Theory and Practice, 14 (1), pp. 9-25. Cited 1 time.

DOI: 10.1386/fict_00093_1

Abstract
Drawing inspiration from Geoffrey Whitehall’s article titled ‘“When they fight back”: A cinematic archive of animal resistance and world wars’, this article seeks to explore the exploitation and resistance of elephants by examining the power dynamics between humans and elephants in Nirmal Ghosh’s novella River Storm (2022). This study undertakes an animal standpoint reading to recognize the subjective experiences of elephants, questioning the dominance of humans over them. Furthermore, it employs Foucault’s concept of power to challenge the prevailing narrative of absolute control over animals. By highlighting various instances of elephants fighting back, the article aims to subvert the discourse of complete human domination of animals. © 2024 Intellect Ltd Article.

Author Keywords
animal abuse; animal agency; animal conflict; animal resistance; animal-centred criticism; confinement; Foucault; human; power; vulnerability

Bar Foucault
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December 2025 will mark the fifth anniversary of the bar’s opening.

From Vichayuth Chantan, Chiang Mai bars: Where to get the best cocktails up North, Lifstyle Asia, 26 September 2024

Named after the French philosopher most known for critiques of humanist philosophy, Bar Foucault offers guests a taste of power through cocktails without the discipline and punish of his literary works. The drinks menu is inspired by the minds of famous philosophers — after all, where better to discuss their works than at a bar with something boozy in hand? With vibes so intimate and warm, you feel the looming sense of panopticon lifting. After an evening spent here, maybe hell isn’t other people.

Opening times: Wed-Mon, 7pm-midnight
Location: 19 Chomdoi Rd Suthep, Muang Chiang Mai, Chiang Mai, Thailand

Another review, 14 November 2025

Carlson, Stephen C. “The Imposition of Authorship: Michel Foucault’s Author-Function and Papias of Hierapolis on the Gospel of Mark.” Harvard Theological Review 118, no. 2 (2025): 242–63.
https://doi.org/10.1017/S0017816025100680.

Abstract
In a famous essay, Michel Foucault introduced the term “author-function” into scholarly discourse, and later scholars of authorship in antiquity have applied the term in different ways to different concepts. Some scholars center the notion of authorship around authority, while others look to the notion of authorizing a work as a finished literary work. This article seeks to retrieve a suggestion in Foucault’s essay that the author-function can fruitfully be understood under the notion of Foucault’s French term appropriation, that is, making something belong to a person, for purposes of punishment or praise. This article applies all three notions of the author-function in scholarly use to the complex testimonium on the authorship of the Gospel of Mark by Papias in Eusebius, Church History 3.39.15, and concludes that Foucault’s own construal of his term explains best the intricacies of this ancient statement of gospel authorship.

Keywords
authorship, author-function, Michel Foucault, Gospel of Mark, Papias of Hierapolis, Eusebius of Caesarea

Lars Erik L. Gjerde, Nordic Leviathans. A Weberian-Foucauldian Study of the Politics of COVID-19 in Norway and Sweden, Palgrave Macmillan, 2025

About this book
This book offers a theoretical synthesis between the Foucauldian theory of power and the Weberian theory of the state. The book centres on the politics of COVID-19 in Norway and Sweden. It analyses the different tactics, strategies and rationalizations of these states to develop the theoretical framework, while using the theoretical framework to better advance our understandings of the politics of COVID-19 and how state power worked in subtle and overt, direct and indirect, ways, during this crisis. It argues that a marriage between Foucauldian and Weberian theories of the state and power engenders a holistic understanding of how power works at the microlevel and macrolevel. This invites scholars to interrogate the diverse sources of power caged within the modern state, and how these can be enacted through and over society, thereby manifesting as various mechanisms of power.

About the author
Lars Erik L. Gjerde is a Norwegian political scientist and sociologist, currently employed as a lecturer at the Department of Sociology at the University of Tromsø, Norway. He has a PhD in Political and Social Sciences from the European University Institute.

June 23, 2025, Theoretical Puppets: Z is for Zoology (Michel Foucault)

Lynne Huffer, These Survivals: Autobiography of an Extinction, Duke University Press, 2025

Summary
A collage-style work in fragments, Lynne Huffer’s These Survivals brings together philosophy, memoir, poetry, and original multimedia artworks to articulate an ethics of living on a devastated planet. Focusing on climate change and mass species extinction, Huffer approaches ruination through assemblages rendered in sharp-edged prose, vibrant color images, and experimental features that include black-out poems, weather reports, and abecedarian essays. She considers her struggles with everyday life and confronts the immensity of extinction across the expanse of geological time, recognizing the self’s insignificance in the context of the planet’s 4.5-billion-year existence. As she moves across autobiographical, political, and literary registers, her abiding theme is the repeated phrase: the fragment remains while the whole crumbles. At every turn, Huffer insists on the fragmentary, provisional nature of anything taken to be whole as well as the impartial conditions under which we write, at times experienced as constraint and at others, freedom. Reveling in interruption, obliquity, and layering, Huffer opens space for thought to emerge in unexpected and innovative ways—ways that are grounded in the material practices of writing and living.

Maxine Podgainy, Lynne Huffer’s new book ‘These Survivals’ confronts extinction through collage, The Emory Wheel, Oct 8, 2025

[…]
Huffer then took the microphone, sharing that various interests and social causes informed her text — from 20th-century French philosopher Michel Foucault to biology to feminist theory. She revealed that one of her inspirations behind writing about climate change and environmental issues was attending over 10 years of meetings with an Anthropocene reading group at Emory. Perspectives from scientists, social scientists and others in the humanities coupled with her extensive research of Foucault inspired Huffer to rethink her approach to history.

“Over the years, I’ve developed a take on Michel Foucault’s work that allows me to think about the Earth, archives and planetary time, or what’s known as deep time — geological time — through the lens of what Foucault calls genealogy, a method of writing that rethinks the present by approaching the past as fragmented, incomplete and radically discontinuous,” Huffer said.
[…]

Echo Delay Reverb. American Art, Francophone Thought

Palais de Tokyo, Paris, France
from 10/22/2025 to 02/15/2026

The group exhibition “ECHO DELAY REVERB: American Art, Francophone Thought” explores the history of the transatlantic circulation of forms and ideas through the works of some sixty artists, bringing together a wide variety of mediums and a number of new commissions.

It presents how art in the USA catalysed the revolutionary energies of thinkers, activists and poets who transcended genres and profoundly reshaped perspectives on the world, from Simone de Beauvoir, Michel Foucault and Jacques Derrida to Frantz Fanon, Jean Genet, Aimé Césaire, Jacques Lacan, Monique Wittig, Pierre Bourdieu and Edouard Glissant… The reception and translation of their work in the United States led to unexpected forms, creating tools for a critical vision of institutions, both those of art and those of society. Theory here serves as an instrument for challenging social, aesthetic and linguistic norms, opening up new ways of seeing and engaging in the world.

[…]

A book, Echo Delay Reverb : American Art, French Thought, edited by Naomi Beckwith with Elvan Zabunyan, professor of contemporary art history at Université Paris 1 – Panthéon-Sorbonne, and published by Editions B42, accompanies the exhibition.

Throughout the 20th century, thinkers, activists and poets in the French-speaking world transgressed genres and changed perspectives on the contemporary world. However, beyond and sometimes before their recognition in France, their ideas were translated in the United States and used to create tools for a critical view of institutions, art and society, challenging social, aesthetic and linguistic norms and opening up new ways of seeing and acting. While the flagship concept of French Theory was defined in the 1990s to evoke the enthusiastic reception that the United States reserved for authors such as Roland Barthes, Michel Foucault, Gilles Deleuze and Jacques Derrida, other figures, such as Suzanne and Aimé Césaire, Frantz Fanon, Maryse Condé, Édouard Glissant and Monique Wittig, have been instrumental in the fields of art, postcolonial studies, feminism and gender studies. This book traces the history of the circulation of ideas, their resonance and appropriation by several generations of artists across the Atlantic, extending the eponymous exhibition conceived by Naomi Beckwith at the Palais de Tokyo.

Review of exhibition in Art Review by Louise Darblay, 21 November 2025

Maya Krishnan, (2025) “Over-intelligibility”, Political Philosophy 2(2).
doi: https://doi.org/10.16995/pp.24931

Abstract
Contemporary philosophers have argued that framing new concepts can bring about both moral and epistemic progress. In this paper, I argue that such intelligibility also has downsides. This paper introduces the phenomenon of ‘over-intelligibility,’ which obtains when a concept truly applies and facilitates understanding, yet hinders someone as a knower. This takes place when concepts normalize or detrimentally standardize our epistemic lives.

Keywords:
hermeneutic injustice, epistemic injustice, intelligibility

Do not ask who I am and do not ask me to remain the same: leave it to our bureaucrats and our police to see that our papers are in order.

—Michel Foucault

If I knew who or what I were, I would not write….

—Gillian Rose

Foucault Studies, Issue 38, Fall 2025

Open access

Table of Contents

Editorial

Foucault’s Revision of Ideology Critique
Johanna Oksala

Waging War, Waging Peace: The Weimar Right and Michel Foucault’s Analysis of Power in the Mirror of the Archives
Philipp Kender

Genealogy Between Health and Illness: On the Ambiguity of the Historical Sense in Foucault’s 1969–1970 Vincennes Lectures on Nietzsche
Federico Testa

The Hidden Asceticism of Knowledge: Rereading The Gay Science Genealogically with Nietzsche and Foucault
Emmanuel Salanskis

Truth, Asceticism, and Becoming: Foucault with and against Nietzsche
Daniele Lorenzini

Nietzsche, Knowledge, and Interest
Frédéric Porcher

“The Awful Difficulties of a Theory of the Will”: Foucault’s Nietzschean Critique of Ideology
Orazio Irrera

Foucault at Buffalo in 1970 and 1972: The Desire for Knowledge, The Criminal in Literature, and The History of Truth
Stuart Elden

“The History of Truth”: Foucault in Buffalo, 1972
Leonhard Riep

Ordoliberalism, State and Society: A Political Theory of Social Order by Olimpia Malatesta (review)
Andrea Di Carlo

Philosophy, Theory or Way of Life? Controversies in Antiquity, the Middle Ages and the Renaissance by Juliusz Domański (review)
Antonio Donato

Foucault’s Critical Philosophy of History: Unfolding the Present by Adam Takács (review)
Matt Kelley

The Biopolitics of Punishment: Derrida and Foucault by Rick Elmore and Ege Selin Islekel (review)
Aditya Pratama

Democratic Biopolitics: Popular Sovereignty and The Power of Life by Sergei Prozorov (review)
Roqiyul Maarif Syam