Foucault News

News and resources on French thinker Michel Foucault (1926-1984)

Terry Eagleton, Everything, All the Time, Everywhere by Stuart Jeffries review – how we became postmodern, The Guardian, 10 November 2021

Stuart Jeffries, Everything, All the Time, Everywhere: How We Became Postmodern, Verso, 2021

For the past half-century, postmodernist thinkers have been trying to discredit truth, identity and reality. Identity is a straitjacket, and truth is just some middle-aged academic’s opinion. As for reality, it has become as obsolete as dressing for dinner. Objectivity is a myth in the service of the ruling powers. If only we could shed these illusions, we could revel in a world of infinite possibility. Instead of waking up to the same tedious old self each morning, we could flit from one identity to another as easily as David Bowie. The final liberation is that anything can mean anything else. Once you kick away fixed meanings and firm foundations, you are free to enjoy yourself. Postmodernism is meant to be fun, even if a current of nihilism runs steadily beneath it. As Stuart Jeffries suggests in this splendidly readable survey, there is something vacuous at the heart of its exuberance.
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Some studies of postmodernism are cultural, some are historical and a few of them are philosophical. The achievement of this book is to roll all three approaches into one. This is rare, because those who know about Sid Vicious may not be avid readers of Michel Foucault, while those who are deep in Jacques Derrida are not always fans of Chris Kraus’s I Love Dick. Jeffries packs a remarkable knowledge of postmodern culture into these pages, from punk, hip-hop, film and photography to anti-psychiatry, the Rushdie fatwa and queer theory. All this is set in the context of the neoliberalism of the 1970s, showing how a revamped capitalism gave birth to a culture of the flexible and provisional – of short-termism, endless consumption and multiple identities.
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Irmgard Emmelhainz, Authoritarianism and the Cybernetic Episteme, or the Progressive Disappearance of Everything on Earth, e-flux journal, Issue #122, November 2021
Open access

Life and society worldwide have been transformed by digital technology, including the fabrics of emotional relationships. Many believed the internet would be the largest ungoverned space in the world with unlimited emancipatory potential, and trusted Big Tech to make the world a better place. Yet power and capitalism filled that space with surveillance systems, the production of private capital, the monetization of data, and the control of human lives. Social media now shape daily life and many have lost faith in the possibility of a shared consensus reality. We are living in a scenario similar to one imagined by Black Mirror: our belief in digital communication and social media creates narcissistic personalities, selves dissociated and dislocated from their reflections online. Digital communication offers an opaque mirror that delivers egos without bodies, eliding alterity.
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According to its Greek etymology, an “episteme” is a system of understanding. In The Order of Things, Michel Foucault uses the term “épistemè” to mean the nontemporal or a priori knowledge that grounds what is taken as truth in a given moment. Several epistemes coexist at a given time, as they constitute parts of various systems of power and knowledge. The cybernetic episteme, as defined by the collective Tiqqun some twenty years ago, describes our relationship to technology and machines (which are inseparable from the workings of capitalism). The cybernetic episteme is based on the modern tenet of progress and human-led transcendence achieved through science and technology.

Philipp Felsch, The Summer of Theory: History of a Rebellion, 1960-1990, (Translated by Tony Crawford), Polity, 2021

‘Theory’ – a magical glow has emanated from this word since the sixties. Theory was more than just a succession of ideas: it was an article of faith, a claim to truth, a lifestyle. It spread among its adherents in cheap paperbacks and triggered heated debates in seminar rooms and cafés. The Frankfurt School, Structuralism, Post-Structuralism, Adorno, Derrida, Foucault: these and others were the exotic schools and thinkers whose ideas were being devoured by young minds. But where did the fascination for dangerous thoughts come from?

In his magnificently written book, Philipp Felsch follows the hopes and dreams of a generation that entered the jungle of difficult texts. His setting is West Germany in the decades from the 1960s to the 1990s: in a world frozen in the Cold War, movement only came from big ideas. It was the time of apocalyptic master thinkers, upsetting reading experiences and glamorous incomprehensibility. As the German publisher Suhrkamp published Adorno’s Minima Moralia and other High Theory works of the Frankfurt School, a small publisher in West Berlin, Merve Verlag, provided readers with a steady stream of the subversive new theory coming out of France.

By following the adventures of the publishers who provided the books and the reading communities that consumed and debated them, Philipp Felsch tells the remarkable story of an intellectual revolt when the German Left fell in love with Theory.

Foucault in the Panopticon
How Michel Foucault’s encounters in Poland’s heavily policed gay community informed his ideas
GEOFF SHULLENBERGER | Reason, FROM THE DECEMBER 2021 ISSUE

In 1958, the 32-year-old philosopher Michel Foucault arrived in Poland to assume the directorship of the Centre Français in Warsaw. Less than a year later, he abruptly left the country. According to a rumor that circulated for years, this rapid exit was precipitated by a sexual liaison with a young man who turned out to be on the payroll of the communist state’s secret police. Amid the minor scandal that ensued, the French embassy requested Foucault’s resignation and departure from Poland. His biographers have treated this Polish sojourn and the incident that brought it to an end as a footnote to his early career, covering it in a few pages.

In Foucault in Warsaw, first published in Polish in 2017 and now available in an English translation by Sean Gasper Bye, the philosopher Remigiusz Ryziński reconstructs this brief phase of Foucault’s life on the basis of interviews, research in the copious files of the communist-era secret police, and speculation.
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Jean-Luc Caron, André Tubeuf, un récit brillant sur son Paris culturel des années 1950, Res Musica, 8 décembre 2021

Avoir vingt ans et commencer (récit). André Tubeuf. Actes Sud. Novembre 2021

Connu de tous les mélomanes pour l’élégance de son écriture, l’étendue de son érudition et son enthousiasme communicatif, André Tubeuf nous propose un récit centré sur ses études à l’École normale supérieure et sa découverte du Paris culturel et intellectuel de l’après-guerre mondiale.

Musicologue et critique musical de renom, né à Izmir (Turquie) en 1930, André Tubeuf décède le 26 juillet dernier à Paris, à l’âge de 90 ans. Après sa khâgne au Lycée Louis-le-Grand (1946), il poursuit des études littéraires et obtient son diplôme de l’École normale supérieure de Paris, rue d’Ulm, en 1950.
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Son récit se découpe en trois parties distinctes bien qu’habilement imbriquées.
La première concerne ses amitiés auxquelles il attache la plus haute importance, sujet où fourmillent mille anecdotes et jugements très personnels à propos de camarades, surtout masculins, presque tous demeurés totalement anonymes.

La deuxième s’intéresse aux fortes personnalités, déjà affirmées ou en devenir, qu’il fréquente assidûment et dont il affectionne les analyses percutantes et bien sûr, subjectives.… Parmi elles, citons succinctement Dominique Fernandez, Michel Foucault, Jacques Derrida, Louis Althusser, Maurice Merleau-Ponty, Maurice Clavier, Jean Ganguilhem, Michel Serres, Pierre Bourdieu, etc.
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Theoretical Puppets, I is for Information Technology (Michel Foucault)
Sep 27, 2021

Kathryn Hughes, Magritte: A Life by Alex Danchev review – virtuosic portrait of a star surrealist, The Guardian, 9 December 2021

Alex Danchev, Magritte: A Life – Profile, November 2021

Given the ubiquity of René Magritte’s images in our culture it is a shock to learn that no one was interested in the Belgian surrealist until it was almost too late. All those bowler-hatted men with occluded faces, the pipe that isn’t a pipe, the giant apples and the looming clouds were hard to like and difficult to sell until 1965, when a major retrospective at the Museum of Modern Art in New York put him explosively on the map. Suddenly everyone from Andy Warhol and Roy Lichtenstein to a young Ed Ruscha couldn’t get enough of Magritte’s visual teases, linguistic puzzles and deadpan affect, which made banal objects – combs, matchsticks, bird cages – at once uncanny and irresistible.
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No surprise, then, that decades later post-structuralists including Derrida and Foucault couldn’t get enough of Magritte’s images, which on the surface pass as gags, but which actually comprised a profound meditation on the instability of meaning in the modern world.

With thanks to Stuart Elden at Progressive Geographies for this news

Lennard Davis, In the Time of Pandemic, the Deep Structure of Biopower Is Laid Bare, Critical Inquiry, Volume 47, Number S2, 26 June 2020
https://www.journals.uchicago.edu/doi/full/10.1086/711458
Open access

In regard to disability, the ableism that puts on a compassionate mask in milder times now reveals its brutal face. While laws like the Americans with Disabilities Act acknowledge human rights and subjectivities involved in disabled identity, a pandemic brings into play a war of survival whose rules are simpler and deadlier. Limited resources and pressured levels of triage create a situation in which medical decisions have to be made quickly and almost reflexively. When those kinds of pressured judgments occur, health practitioners must rely on a wartime gut reaction as well as a combination of health ethics templates and cost-benefit analyses assessing whose life is worth saving and whose is less so.

Any metric used for determining who should get limited resources will inevitably be drawn into a eugenics sinkhole. It is here that biopolitics and thanatopolitics display a unity that might have seemed to have been in opposition. The urge to let live and the urge to let die morph nicely into each other. In order to let live, doctors must let die. An unenviable choice arises at every tension point in every hospital in every country. This proliferation of life/death decisions blunts the emotional response to what might be seen as programmed executions or even annihilations. While biopolitics and thanatopolitics have been drawn to dramatic personae like the comatose patient and the concentration camp prisoner, the more mundane bit players—the person with mobility impairments or the cognitively disabled person—barely get attention. Those in disability studies are well aware of this minor role assigned by the majority to the minority. Yet the actuality is that the disabled or Deaf person experiences the effects of communitas and immunity on a rather consistent and, to others, undetectable basis.

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In some sense, the discussion over the healthy person is a discussion about the formation of the modern citizen. As Michel Foucault and others have noted, the development of a medical system is of course also a system of control. If it works well, it is hidden and undetectable—powered by self will rather than heavy-handed regulation. And the system has worked very well, until now when the evolution of the word health suddenly becomes more clearly a way of talking about power and setting one group over another.
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Bernard-Henri Lévy, Journal d’Amérique, La Règle du Jeu – Littérature, Philosophie, Politique, Art, novembre 2021

Présentant outre-Atlantique son film «Une autre idée du monde» («The Will to See»), Bernard-Henri Lévy confie ses impressions d’Amérique.

Ici, aux États-Unis, mon livre et mon film s’intitulent The Will to See. J’aime cette tonalité nietzschéenne, ou foucaldienne, dans un pays qui s’obstine à transformer Michel Foucault, cet adversaire des pensées identitaires, en père fondateur de la pensée woke. Ce n’est pas de ça, pourtant, que je viens parler, ce matin, à l’invitation de l’Institut des États-Unis pour la paix, le think tank bipartisan du Congrès, présidé par l’ex-humanitaire onusienne Lise Grande. Je raconte mon dernier séjour en Afghanistan et explique que les vingt années de présence des GI ne furent pas un échec mais un succès. Femmes dévoilées, naissance d’une presse libre, lente mais sûre éclosion d’une société civile : c’est tout cela que Joe Biden et, avant lui, Donald Trump ont saccagé en offrant le pouvoir aux talibans. Munich américain.
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For a review of the film in The Atlantic see The French Intellectual Who Refuses to Look Away

Renata Cavalcanti Muniz,Fiorella Macchiavello Ferradas,Georgina M. Gomez,Lee J. Pegler, Covid-19 in Brazil in an era of necropolitics: resistance in the face of disaster, Disasters, 07 December 2021
https://doi.org/10.1111/disa.12528
Open access

Abstract
The Covid-19 pandemic has been a massive disaster in Brazil, causing more than 350,000 deaths as of April 2021. Moreover, President Jair Bolsonaro suggested that already marginalised groups should take what came to them, as if they were an expendable surplus in his necropolitical perspective. However, civil society initiatives are emerging to tackle the impacts of this crisis. This paper adds to current literature on the forms and levels of resistance to disasters, using primary and secondary data pertaining to three key Brazilian groups: domestic workers; the urban poor in favelas; and indigenous Amazonians. The analysis indicates that their historical, political resistance has been a foundation upon which to develop disaster mitigation and their actions have built on and gone beyond previous modes of organising. More specifically, their responses have replaced a ‘present–absent’ federal government, entailed local, innovative adaptations, led to new public–private sector relations, and may offer the prospect of consolidation.