Editor: An introductory quotation from Foucault, followed by reflections on the current coronavirus Co-Vid 19 crisis by contemporary thinkers. I have just included the passage from Foucault here. Please follow the link to the journal site for the contemporary debate
Coronavirus and philosophers
M. Foucault, G. Agamben, J.L. Nancy, R. Esposito, S. Benvenuto, D. Dwivedi, S. Mohan
European Journal of Psychoanalysis, March 2020
From “Discipline and Punish. The Birth of the Prison”, translated by A. Sheridan, pp. 195-228. Vintage Books, 1995.
(in collaboration with the Journal “Antinomie”)
The following, according to an order published at the end of the seventeenth century, were the measures to be taken when the plague appeared in a town.
First, a strict spatial partitioning: the closing of the town and its outlying districts, a prohibition to leave the town on pain of death, the killing of all stray animals; the division of the town into distinct quarters, each governed by an intendant. Each street is placed under the authority of a syndic, who keeps it under surveillance; if he leaves the street, he will be condemned to death. On the appointed day, everyone is ordered to stay indoors: it is forbidden to leave on pain of death. The syndic himself comes to lock the door of each house from the outside; he takes the key with him and hands it over to the intendant of the quarter; the intendant keeps it until the end of the quarantine. Each family will have made its own provisions; but, for bread and wine, small wooden canals are set up between the street and the interior of the houses, thus allowing each person to receive his ration without communicating with the suppliers and other residents; meat, ﬁsh and herbs will be hoisted up into the houses with pulleys and baskets. If it is absolutely necessary to leave the house, it will be done in turn, avoiding any meeting. Only the intendants, syndics and guards will move about the streets and also, between the infected houses, from one corpse to another, the “crows”, who can be left to die: these are “people of little substance who carry the sick, bury the dead, clean and do many vile and abject ofﬁces”. It is a segmented, immobile, frozen space. Each individual is ﬁxed in his place. And, if he moves, he does so at the risk of his life, contagion or punishment.
Inspection functions ceaselessly. The gaze is alert everywhere: “A considerable body of militia, commanded by good ofﬁcers and men of substance”, guards at the gates, at the town hall and in every quarter to ensure the prompt obedience of the people and the most absolute authority of the magistrates, “as also to observe all disorder, theft and extortion”. At each of the town gates there will be an observation post; at the end of each street sentinels. Every day, the intendant visits the quarter in his charge, inquires whether the syndics have carried out their tasks, whether the inhabitants have anything to complain of; they “observe their actions”. Every day, too, the syndic goes into the street for which he is responsible; stops before each house: gets all the inhabitants to appear at the windows (those who live overlooking the courtyard will be allocated a window looking onto the street at which no one but they may show themselves); he calls each of them by name; informs himself as to the state of each and every one of them “in which respect the inhabitants will be compelled to speak the truth under pain of death”; if someone does not appear at the window, the syndic must ask why: “In this way he will ﬁnd out easily enough whether dead or sick are being concealed.” Everyone locked up in his cage, everyone at his window, answering to his name and showing himself when asked — it is the great review of the living and the dead.
This surveillance is based on a system of permanent registration: reports from the syndics to the intendants, from the intendants to the magistrates or mayor At the beginning of the “lock up”, the role of each of the inhabitants present in the town is laid down, one by one; this document bears “the name, age, sex of everyone, notwithstanding his condition”: a copy is sent to the intendant of the quarter, another to the ofﬁce of the town hall, another to enable the syndic to make his daily roll call. Everything that may be observed during the course of the visits — deaths, illnesses, complaints, irregularities is noted down and transmitted to the intendants and magistrates. The magistrates have complete control over medical treatment; they have appointed a physician in charge; no other practitioner may treat, no apothecary prepare medicine, no confessor visit a sick person without having received from him a written note “to prevent anyone from concealing and dealing with those sick of the contagion, unknown to the magistrates”. The registration of the pathological must be constantly centralized. The relation of each individual to his disease and to his death passes through the representatives of power, the registration they make of it, the decisions they take on it.
Five or six days after the beginning of the quarantine, the process of purifying the houses one by one is begun. All the inhabitants are made to leave; in each room “the furniture and goods” are raised from the ground or suspended from the air; perfume is poured around the room; after carefully sealing the windows, doors and even the keyholes with wax, the perfume is set alight. Finally, the entire house is closed while the perfume is consumed; those who have carried out the work are searched, as they were on entry, “in the presence of the residents of the house, to see that they did not have something on their persons as they left that they did not have on entering”. Four hours later, the residents are allowed to re-enter their homes.
This enclosed, segmented space, observed at every point, in l which the individuals are inserted in a ﬁxed place, in which the slightest movements are supervised, in which all events are recorded, in which an uninterrupted work of writing links the centre and periphery, in which power is exercised without division, according to a continuous hierarchical ﬁgure, in which each individual is constantly located, examined and distributed among the living beings, the sick and the dead — all this constitutes a compact model of the disciplinary mechanism. The plague is met by order; its function is to sort out every possible confusion: that of the disease, which is transmitted when bodies are mixed together; that of the evil, which is increased when fear and death overcome prohibitions. It lays down for each individual his place, his body, his disease and his death, his well-being, by means of an omnipresent and omniscient power that subdivides itself in a regular, uninterrupted way even to the ultimate determination of the individual, of what characterizes him, of what belongs to him, of what happens to him. Against the plague, which is a mixture, discipline brings into play its power, which is one of analysis. A whole literary ﬁction of the festival grew up around the plague: suspended laws, lifted prohibitions, the frenzy of passing time, bodies mingling together without respect, individuals unmasked, abandoning their statutory identity and the ﬁgure under which they had been recognized, allowing a quite different truth to appear. But there was also a political dream of the plague, which was exactly its reverse: not the collective festival, but strict divisions; not laws transgressed, but the penetration of regulation into even the smallest details of everyday life through the mediation of the complete hierarchy that assured the capillary functioning of power; not masks that were put on and taken off, but the assignment to each individual of his “true” name, his “true” place, his “true” body, his “true” disease. The plague as a form, at once real and imaginary, of disorder had as its medical and political correlative discipline. Behind the disciplinary mechanisms can be read the haunting memory of “contagions”, of the plague, of rebellions, crimes, vagabondage, desertions, people who appear and disappear, live and die in disorder.
If it is true that the leper gave rise to rituals of exclusion, which to a certain extent provided the model for and general form of the great Conﬁnement, then the plague gave rise to disciplinary projects. Rather than the massive, binary division between one set of people and another, it called for multiple separations, individualizing distributions, an organization in depth of surveillance and control, an intensiﬁcation and a ramiﬁcation of power. The leper was caught up in a practice of rejection, of exile-enclosure; he was left to his doom in a mass among which it was useless to differentiate; those sick of the plague were caught up in a meticulous tactical partitioning in which individual differentiations were the constricting effects of a power that multiplied, articulated and subdivided itself; the great conﬁnement on the one hand; the correct training on the other. The leper and his separation; the plague and its segmentations. The ﬁrst is marked; the second analysed and distributed. The exile of the leper and the arrest of the plague do not bring with them the same political dream. The ﬁrst is that of a pure community, the second that of a disciplined society. Two ways of exercising power over men, of controlling their relations, of separating out their dangerous mixtures. The plague-stricken town, traversed throughout with hierarchy, surveillance, observation, writing; the town immobilized by the functioning of an extensive power that bears in a distinct way over all individual bodies – this is the utopia of the perfectly governed city. The plague (envisaged as a possibility at least) is the trial in the course of which one may deﬁne ideally the exercise of disciplinary power. In order to make rights and laws function according to pure theory, the jurists place themselves in imagination in the state of nature; in order to see perfect disciplines functioning, rulers dreamt of the state of plague. Underlying disciplinary projects the image of the plague stands for all forms of confusion and disorder; just as the image of the leper, cut off from all human contact, underlies projects of exclusion.