Foucault News

News and resources on French thinker Michel Foucault (1926-1984)

Interview with David Macey on Fanon, Foucault and Race by Simon Dawes on the Theory, Culture and Society site

Simon Dawes interviews David Macey about his contribution to the Special Section on Frantz Fanon in the current issue of the Theory, Culture & Society Annual Review, and about his 2009 article in the TCS Special Issue on Michel Foucault.

Read more to find out why (and for whom) Fanon is a source of embarrassment, the link for Foucault between race and the legitimacy of power, and why we should all be reaching for our copies of Fanon and Aimé Césaire.

CFP: Foucault und Organisation
19-20 May 2011 at Technische Universität Chemnitz.

You can find a link to the pdf of the call for papers here

Das Forum ‘Kritische Organisationsforschung’, eine transdisziplinäre Forschungsinitiative der Chemnitzer Juniorprofessur Europäisches Management, veranstaltet vom 19.-20. Mai 2011 einen Workshop zum Schwerpunkt ‘Foucault und Organisation’. Neben dem Schwerpunktthema sollen “in programmatischer Hinsicht Möglichkeiten und Grenzen der kritischen Organisationsforschung” aus breiterer gesellschafts- und sozialtheoretischer Perspektive diskutiert werden. Deadline für abstracts ist der 28. Januar 2011.

Foucault and St Paul. Special Issue of The Journal for Cultural and Religious Theory, 11.1 Winter 2010

The Journal for Cultural and Religious Theory is a peer-reviewed journal devoted to both disciplinary and interdisciplinary scholarship of a cutting-edge nature that deals broadly with the phenomenon of religious and cultural theory.

Visit the journal’s website for the full issue online

Contributions by
Valerie Nicolet Anderson
Ward Blanton
Arne De Boever
Ronald Charles
Matthew Chrulew
David R. Glowacki
Sophie Fuggle
Christopher Mayes
Mika Ojakangas (link to full pdf)
Hans Ruin

Mark Kelly has written a new article on Michel Foucault for the Internet Encyclopedia of Philosophy.

CALL FOR PAPERS

Radical Foucault: A One Day Conference

Centre for Cultural Studies Research, University of East London.

The publication of Michel Foucault’s Lectures at the Collège de France, 1983-84 in English will be complete in April 2011 and his first Collège de France lecture course, La Volonté de Savoir will be published for the first time in February. The Centre for Cultural Studies Research at the University of East London is holding a one-day conference on Friday, September 9th, 2011 which will re-assess Foucault’s contribution to radical thought and the application of his ideas to contemporary politics. What does it mean to draw on Foucault as a resource for radical politics, and how are we to understand the politics which implicitly informs his work?

Many commentators today would seem to claim Foucault as the theorist of a politics which eschews all utopian ambition in favour of a certain governmental pragmatism, while others would claim him for a rigorous but ultimately rather simple libertarianism: can either of these positions ever be adequate to the radicalism of Foucault’s analyses? Does it matter?

What is the significance of Foucault’s ideas of ‘governmentality’ and ‘biopolitics’ in understanding his later oeuvre and its implications; do either of these terms deserve to carry the weight attributed to them by some commentators? What is the ongoing relevance of Foucault’s account of disciplinarity: is, it, as Lazzarato has claimed, a historical category no longer fully applicable to contemporary forms of power?

How can Foucauldian ideas be brought bear on the analysis of austerity politics? Is there a role for Foucault’s ideas in formulating effective resistance to the increasing erosion of civil liberties that operates both within countries and across state boundaries? Can the notion of bio-power account for contemporary forms of racism? How can Foucauldian epistemology enable an understanding of the biopolitics of contemporary scientific discourse?

Confirmed Keynotes:

Stuart Elden, Professor in the Department of Geography, Durham University.

Mark Kelly, Lecturer in Philosophy, Middlesex University.

Abstracts of no more than 350 words are invited, to arrive no later than Tuesday, 1st March 2011. Subjects may include, but are not limited to:

* Foucauldian thought and contemporary subjectivation
* Foucault and other thinkers
* Governmentality and everyday life
* Strategic discourses of war and terror
* New technologies of the self
* Foucault and new forms of resistance
* Heterotopias now and in the future
* Foucault and the erosion of the state
* Disciplinary society and the society of control
* Foucault, British politics and the ‘big society’
* Foucault, post-Fordism and post-democracy

Email abstracts
to Jeremy Gilbert (j.gilbert@uel.ac.uk) and Debra Benita Shaw (d.shaw@uel.ac.uk)

Performance in New York by Annie Dorsen based on the television debate between Foucault and linguist and activist Noam Chomsky. Jan 6-22

See this interview with author Annie Dorsen

New York director Annie Dorsen takes the famous television debate between the philosopher Michel Foucault and linguist and activist Noam Chomsky from the Seventies as inspiration and material for a dialogue between two specially developed chatbots: every evening, these computer programs designed to mimic human conversations perform a new – as it were, improvised – live text.

Hello Hi There is a performance without people – a literal expression of post-humanism, and simultaneously an examination of what it means to be human. The piece goes inside the question of human nature and intelligence, both the organic and the artificial.

Inhabiting Institutions in Britain, 1700-1950

A two-day conference of the Department of History, Royal Holloway University of London, in London on 14 and 15 September 2010

This conference has been recorded and is available as a series of podcasts

This two-year research project examines the impact of the design, decoration and furnishing of nineteenth-century residential institutional spaces on the experiences of their inmates. Foucault’s seminal analysis of the prison and asylum has inspired scholars to explore the role of architectural planning in discipline. This project, however, takes a new approach by assessing the role of institutional interiors in shaping the experiences of their inhabitants, and will therefore consider spatial arrangements, furnishings and material and visual culture, in addition to the architectural features of the institution. The first aim of the project is to explore the role of government legislation and recommendation in fashioning institutional life, while exploring the limits of this power. Visual iconography could be used to create a unified institutional identity and material culture could impose contemporary ideas of class and gender. Yet inmates could resist institutional control through the negotiation and manipulation of the material world. Secondly, the project assesses the relationship between institutional spaces and contemporary domesticity, that is, the ideals and practices of the family home. Were domestic spaces, such as parlours and drawing rooms, recreated within the institution? To what extent were inmates able to achieve privacy and could the inhabitants of a nineteenth-century institution ever hope to feel “at home”?

Dr René Wolf
Department of History
Royal Holloway Univseristy of London
Egham, Surrey
TW20 0EX
Email: r.wolf@rhul.ac.uk

McKinlay, Alan; Carter, Chris; Pezet, Eric; Clegg, Stewart, ‘Using Foucault to make strategy’, Accounting, Auditing & Accountability Journal, Volume 23, Number 8, 2010 , pp. 1012-1031(20)
https://www.emerald.com/insight/content/doi/10.1108/09513571011092538/full/html

Abstract

Purpose
The premise of the paper is that Foucault’s concept of governmentality has important but unacknowledged implications for understanding strategy. Highlighting the strengths and weaknesses of the governmentality approach, the paper seeks to suggest how governmentality can be used to conceptualise strategy. More generally, the paper seeks to contribute to the body of research on governmentality articulated by authors such as Peter Miller, Ted O’Leary and Nikolas Rose.

Design/methodology/approach
The paper reprises the argument that accounting is constitutive of social relations. It proceeds to discuss Peter Miller, Ted O’Leary and Nikolas Rose’s seminal contributions to the conceptual development of governmentality. In outlining their work, the paper highlights the significance accorded to the emergence of standard costing and scientific management and its subsequent role in developing both the strategies and structures of managerial capitalism. The paper examines how this, in turn, was pivotal to the emergence of strategy as an important means through which organisations began to understand and conceive of themselves. The paper rehearses the standard criticisms made of governmentality within the accounting literature, before arguing that the concept emerges intact from the critique levelled against it. Proceeding to summarise Foucault’s radical conception of power, the paper notes the elusiveness of Foucault’s relationship with strategy. Elaborating on the nature of governmentality, the paper employs the concept to re-examine the managerial revolution. The objective is to explore its implications for understanding strategy.

Findings
The paper builds on the innovative work published in accounting on governmentality to construct an account of the emergence of the managerial revolution. This yields important insights on strategy. In particular, the paper challenges Chandler, arguing that the birth of strategy is best seen as a post-hoc rationalisation produced by the emergence of systematic management and standard costing. The paper explores how governmentality might be developed to study strategy. The overarching message of the paper is that there is a need to rethink strategy as a language and social practice. Strategy, therefore, must be understood as much as a cultural and political project than as an economic one.

Originality/value
The paper highlights how strategy can be regarded as a cultural and political phenomenon. This opens up the possibility of accounts of strategy that are firmly grounded within studies of organisations, politics and society. Dispensing with neo-economic notions of strategy, the paper advocates writing Foucault into strategic management.

Johanna Oksala, ‘Foucault’s politicization of ontology’, Continental Philosophy Review, published online 8 October 2010

Download pdf from this page

Abstract
The paper explicates a politicized conception of reality with the help of Michel Foucault’s critical project. I contend that Foucault’s genealogies of power problematize the relationship between ontology and politics. His idea of productive power incorporates a radical, ontological claim about the nature of reality: Reality as we know it is the result of social practices and struggles over truth and objectivity. Rather than translating the true ontology into the right politics, he reverses the argument. The radicality of his method lies in showing how the ontological order of things is in itself the outcome of a political struggle: Ontology is politics that has forgotten itself. I argue that Foucault’s thought accomplishes the politicization of ontology with two key theoretical moves. The first is the contestation and provocation of all given and necessary ontological foundations. He affirms the ontological view that there is a discontinuity between reality and all ontological schemas that order it, and a subsequent indeterminacy of reason in establishing ultimate truths or foundations. After this initial step whereby ontology is denaturalized—made arbitrary or at least historically contingent—the way is open for explanations that treat the alternative and competing ontological frameworks as resulting from historical, linguistic and social practices of power. The second key move is thus the exposure of power relations and their constitutive role in our conception of reality. I conclude by considering the implications of Foucault’s politicization of ontology for our understanding of politics.

Keywords: Foucault – Political ontology – The political – Politics – Power

FOUCAULT 71
12 janvier – 6 février 2011
feuilleton théâtral en trois épisodes :

La Cartoucherie
Route du Champ de Manœuvre
75012 Paris

Théâtre de l’Aquarium
les mercredis à 20h30 : Foucault 71
les jeudis à 20h30 : La prison
les vendredis à 20h30 et les dimanches à 16h : Qui suis-je, maintenant ?
les samedis à 16h : intégrale

Foucault 71
La prison
Qui suis-je maintenant ? (création)
feuilleton théâtral en 3 épisodes à voir séparément ou dans la foulée

par le Collectif F71 :
direction artistique Sabrina Baldassarra, Stéphanie Farison, Emmanuelle Lafon, Sara Louis, Lucie Nicolas / direction de production Thérèse Coriou

Michel Foucault est décidément inoxydable, qui fouilla sa vie durant les relations complexes entre réel et discours, pouvoir et subjectivité. Pour habiter plus librement notre étrange pays, cinq jeunes femmes de théâtre se sont emparées de ses textes, manifestes et interviews, elles ont rencontré moult chercheurs, militants et prisonniers, elles se sont inventé en collectif leurs propres règles du jeu, pour concevoir ce « feuilleton théâtral » en trois épisodes, aussi impertinents qu’énergisants :

FOUCAULT 71
/ durée 1h35
spectacle qui a reçu le prix du jury du Festival « Impatience » 2009 de l’Odéon :

conception, mise en scène, scénographie et interprétation Sabrina Baldassarra, Stéphanie Farison, Emmanuelle Lafon, Sara Louis, Lucie Nicolas
lumières Frank Condat et Daniel Lévy

Où l’on verra Michel Foucault s’engager avec d’autres intellectuels, à travers trois « affaires » de l’année 1971, pour la cause des prisonniers, contre la désinformation policière et le racisme dans la Goutte d’or …

LA PRISON
durée 1h10
conception, mise en scène et interprétation Sabrina Baldassarra, Stéphanie Farison, Emmanuelle Lafon, Sara Louis, Lucie Nicolas
scénographie > Daniel Lévy et le collectif F71
lumières Frank Condat et Daniel Lévy

Où l’on verra Foucault analyser le fonctionnement de la prison pour mettre au grand jour les rapports de pouvoir à l’œuvre dans notre quotidien…

QUI SUIS-JE MAINTENANT ?
durée 1h30
création
mise en scène et interprétation Stéphanie Farison, Emmanuelle Lafon, Sara Louis, Lucie Nicolas
musique et interprétation Fred Costa
assistanat à la mise en scène Estefania Castro
scénographie Denis Gobin, Magali Murbach et le collectif F71
lumières Denis Gobin
costumes Magali Murbach

Où l’on verra (à partir de La vie des hommes infâmes) un Foucault amoureux de l’archive révéler la force des mots sur les vies.

coproduction : La Concordance des temps / Théâtre-Studio (Alfortville) / Arcadi (Action régionale pour la création artistique et la diffusion en Ile de France) / Le Studio-Théâtre (Vitry) / avec le soutien de l’Adami, la participation artistique et d’après une maquette issue du comité de lecture du Jeune Théâtre National, la collaboration du SPIP 94. Le Carré, Scène Nationale de Château Gontier, Collectif 12, Théâtre du Crochetan, avec l’aide à la production de la DRAC Ile de France, de la SPEDIDAM et le soutien du 104, coréalisation Théâtre de l’Aquarium.