Foucault News

Landenne, Quentin, et Emmanuel Salanskis, éd. Les métamorphoses de la « généalogie » après Nietzsche. Bruxelles: Presses universitaires Saint-Louis Bruxelles, 2022.

https://doi.org/10.4000/books.pusl.28428.

Open access

Les contributions réunies dans ce volume visent à explorer le champ des postérités généalogiques de Nietzsche. Dans cette perspective, il convient d’abord de faire une nette distinction entre la dimension programmatique de la Généalogie de la morale et les postérités effectives que le livre a eues par la suite aux XXe et XXIe siècles, pour tenter ensuite de comprendre comment le mot « généalogie » a pu se détacher de Nietzsche et acquérir progressivement des significations multiples, bien au-delà de ce que Nietzsche lui-même avait pu anticiper ou imaginer. Il s’agit ainsi de se confronter à un enjeu crucial pour l’historien des idées : celui de retracer les métamorphoses du supposé concept nietzschéen de généalogie, notamment après ses reprises décisives par Deleuze et Foucault, pour faire ressortir la créativité, l’originalité et peut-être aussi la pertinence contemporaine de ces nouveaux discours. Cheminant dans cette direction, notre volume esquisse une sorte de généalogie des « généalogies ». Il montre comment de nombreux lecteurs de Nietzsche ont fait « grincer » et « crier » sa pensée en se la réappropriant sous les espèces de la généalogie.

Aleksandra Wójtowicz, The Staszic Palace as Affective Heterotopia : New Category of Spatial Description, Peter Lang, 2024

Summary
The book proposes a new category – heterotopia of affect – which builds upon Michel Foucault’s typology. The category refers to changes of the places that accumulate contents of ideological, historical, religious, and national character. The book tells the history of a very Polish edifice as well as its surrounding cultural milieu and the history-creating role of the scientific community. The author focuses on the Staszic Palace whose fate reveals how – at different times in history – it catalyzed activities in search of radical changes in the mental landscape of the Polish community.

Fredric Jameson, The Years of Theory: Postwar French Thought to the Present, Edited by Carson Welch, Verso, 2024.

Magisterial lectures on the major figures of French theory from ‘America’s leading Marxist critic’

Fredric Jameson introduces here the major themes of French theory: existentialism, structuralism, poststructuralism, semiotics, feminism, psychoanalysis, and Marxism. In a series of accessible lectures, Jameson places this effervescent period of thought in the context of its most significant political conjunctures, including the Liberation of Paris, the Algerian War, the uprisings of May ’68, and the creation of the EU.

The philosophical debates of the period come to life through anecdotes and extended readings of work by the likes of Sartre, Beauvoir, Fanon, Barthes, Foucault, Althusser, Derrida, Deleuze, groups like Tel Quel and Cahiers du Cinéma, and contemporary thinkers such as Rancière and Badiou. Eclectic, insightful, and inspired, Jameson’s seminars provide an essential account of an intellectual moment comparable in significance to the Golden Age of Athens, historically fascinating and of persistent relevance.

Reviews

An intellectually rigorous overview of post–World War II French thought … Tracing webs of influence, and rebellion, among them, Jameson conveys the intellectual vitality of a vastly changing world.
Kirkus Reviews

Jameson is one of the world’s most eminent cultural theorists, but he is also a peerless literary critic in the classical sense of the term.
Terry Eagleton

Probably the most important cultural critic writing in English today. It can be truly said that nothing cultural is alien to him.
Colin McCabe

The most significant Marxist thinker in American culture.
Cornel West

Jameson’s contributions to the critical theory, to the analysis of the forms and content of the world we live in, and to the empowering of the imagination to envision alternatives to the present are immeasurable. But more importantly, perhaps, his thinking has served to inspire others — artists, activists, critics, theorists, and students of all kinds — to extend his efforts.
Robert T. Tally Jr., Jacobin

An intellectual titan and one of the torchbearers of Marxist thought through the tenebrous night of neoliberalism
Kate Wagner, The Nation

Jameson was arguably the most prominent Marxist literary critic in the English-speaking world… Criticism, as he understood it, could never be [easy], because of the complexity of its objects and its need to perpetually revise, refine and question its own procedures.
To my mind, nobody did this as doggedly — or should I say as dialectically, with such a clearly articulated sense of the intellectual stakes — as Jameson.
A.O. Scott, The New York Times

The greatest intellectual titan of the past half-century… No one reads anything (not literature, not film, not even the uncannily lit corridors of a casino) quite like Jameson did, but to read him well, when you could, was to be dazzled by the gargantuan generosity of his mind.
Jacob Brogan, The Washington Post