A.C. Lee, Postmodern Velázquez and a ‘Hip-Hop Nutcracker’, New York Times, Dec 11 2014 In Michel Foucault’s essay on Velázquez’s baroque masterpiece “Las Meninas,” he comments on Velázquez’s decision to insert his self-portrait into the painting’s narrative, planting a seed that would bloom into postmodernism. That blossom continues to flower. “Las Meninas Renacen de Noche …